Saturday, April 25, 2025 | 4 PM
Sunday, April 26, 2025 | 4 PM

First United Methodist Church of Portland
1838 SW Jefferson St.
Portland, OR 97201

Web-Based Concert Program

Oregon Repertory Singers (ORS) is a premier nonprofit choral organization founded in 1974, with a mission to create beauty, evoke emotion, inspire thought, and enrich our community through powerful choral performances and accessible music education. ORS is uniquely distinguished in the region as the only choral nonprofit offering equally robust youth and adult programs. We celebrate intergenerational singing, champion lifelong music education, and uphold the unifying power of music. This distinctive structure provides unparalleled opportunities for singers of all ages and delivers compelling performances that affirm the arts as a vital and inclusive cultural force.

Welcome

We’re especially grateful to our concert sponsor, ORS Board Member Sherril Gelmon, for not only supporting the artistic vision of this concert but also introducing us to the Hopewell House, our concert partner for this performance. Their work providing compassionate end-of-life care resonates deeply with the spirit of this music, and we encourage you to learn more about all they do.

As this season draws to an end and we begin looking ahead to our 2026–2027 season, we hope you will consider making a season-ending, tax-deductible gift to support Oregon Repertory Singers, or perhaps you’d like to make a leadership gift and sponsor an upcoming concert. Your generosity helps make all of this possible, from the music on stage to the community we build together. Thank you for being part of this season with us.

Lauren Bryan
Executive Director

Welcome to the final concert of our 52nd season. It has been a remarkable journey shaped by bold artistic choices, meaningful community connections, and a shared belief in the power of music to move, heal, and unite us. In the fall, we undertook one of our most meaningful projects, Sing for the Cure, bringing together voices and stories in a powerful expression of hope and support. Tonight, we close with Brahms’ Ein deutsches Requiem for two pianos and timpani, an intimate and compelling instrumentation that reveals the different dimensions of this beloved work. It’s a fitting end to a season that’s embraced both big moments and quieter ones, all reflecting the range and artistry we strive for at Oregon Repertory Singers.

Program Notes

Johannes Brahms wrote Ein deutsches Requiem not as a prayer for the dead, but as a consolation for the living. Rather than setting the traditional Latin text of the Catholic Mass, he crafted his own libretto from the Lutheran Bible, opening with the words "Blessed are they that mourn, for they shall be comforted." It is one of the gifts of enduring art that its truths refuse to stay in the past: Music written to meet one moment of human suffering has an uncanny way of finding us in our own time of need. This is music that holds grief and joy in the same breath; I believe that is precisely what we need right now.

What makes this Requiem so extraordinary is how Brahms binds all seven movements into a single, unbroken emotional argument. Keys mirror each other across movements. Tempos and textures echo and answer. Nothing is accidental. The same hesitant, rising melodic gesture that opens the work permeates every major theme across all seven movements — growing, developing, transforming. When we finally hear its triumphant resolution on the words "Selig sind die Toten" — Blessed are the dead — we feel we have traveled somewhere, and arrived. What Brahms understood, and what this music teaches, is that mourning is not the opposite of joy: It is the path to reclaiming joy after loss.

Tonight, you’ll hear this masterwork in a rare and intimate arrangement. August Grüters, a conductor and contemporary of Brahms, created a version for two pianos that is not a mere reduction but a genuine reimagining — one that strips away the orchestral cushion and places the choir at the center of everything. Every vocal line is exposed, every harmony laid bare. It is, in some ways, the most visceral way to hear this music. And since we have a large body of 100 singers on stage, we have combined Grüter's version with an update by composer Heinrich Poos that includes the orchestral timpani part to underscore Brahms’s most dramatic moments.

This is our 52nd season finale, and I chose this piece deliberately. That Brahms's answer to grief still speaks so directly — more than 150 years after he wrote it — is a testament to what great art can do. That this choir is still here after 52 years, still gathering, still singing, still refusing to look away from the full weight of human experience — I think Brahms would understand that too. Together, with beauty, we endure.

Ethan Sperry
Gil Seeley Artistic Director & Conductor

Oregon Repertory Singers presents the

BRAHMS REQUIEM

for Two Pianos

Ethan Sperry, Gil Seeley Artistic Director & Conductor
Lisa Riffel, Assistant Conductor
Naomi LaViolette, Accompanist
David Peterson, Production Manager

with special guest artists
Arwen Myers, soprano
Richard Zeller, bass
Colin Shepard, piano
Jack Lattimore, timpani

This concert will be digitally recorded. Please no flash photography.
The concert will be approximately 75 minutes without intermission.

Program

Ein deutsches Requiem, Op. 45 (“A German Requiem”) | Johannes Brahms (1833–1897)

I. Selig sind die da Leid tragen ("Blessed are they that mourn")
II. Denn alles Fleisch es ist wie Gras ("For all flesh is as grass")
III. Herr, lehre doch mich ("Lord, make me to know mine end")
IV. Wie lieblich sind deine Wohnungen ("How lovely are thy dwelling places")
V. Ihr habt nun Traurigkeit ("Ye now therefore have sorrow")
VI. Denn wir haben hie keine bleibende Statt ("For here have we no continuing city")
VII. Selig sind die Toten ("Blessed are the dead")

Guest Artists

Text & Translations

Brahms based his text on Martin Luther’s translation of the Bible.
This English translation is taken primarily from the King James Version of the Bible.

I. Blessed are they that mourn

Selig sind, die da Leid tragen, denn sie sollen getröstet werden.
Blessed are they that mourn, for they shall be comforted.

Die mit Tränen säen, werden mit Freuden ernten.
They that sow in tears shall reap in joy.

Sie gehen hin und weinen und tragen edlen Samen, und kommen mit Freuden und bringen ihre Garben.
He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him.

II. For all flesh is as grass

Denn alles Fleisch ist wie Gras und alle Herrlichkeit des Menschen wie des Grases Blumen. Das Gras ist verdorret und die Blume abgefallen.
For all flesh is as grass, and all the glory of man as the flower of grass. The grass withereth, and the flower thereof falleth away.

So seid nun geduldig, lieben Brüder, bis auf die Zukunft des Herrn. Siehe, ein Ackermann wartet auf die köstliche Frucht der Erde und ist geduldig darüber, bis er empfahe den Morgenregen und Abendregen.
Be patient therefore, brethren, unto the coming of the Lord. Behold, the husbandman waiteth for the precious fruit of the earth, and hath long patience for it, until he receive the early and latter rain.

Aber des Herrn Wort bleibet in Ewigkeit.
But the word of the Lord endureth forever.

Die Erlöseten des Herrn werden wieder kommen, und gen Zion kommen mit Jauchzen; ewige Freude wird über ihrem Haupte sein; Freude und Wonne werden sie ergreifen und Schmerz und Seufzen wird weg müssen.
And the ransomed of the Lord shall return, and come to Zion with songs and everlasting joy upon their heads; they shall obtain joy and gladness, and sorrow and sighing shall flee away.

III. Lord, make me to know mine end

Herr, lehre doch mich, dass ein Ende mit mir haben muss, und mein Leben ein Ziel hat, und ich davon muss.
Lord, make me to know mine end, and the measure of my days, what it is: that I may know how frail I am.

Siehe, meine Tage sind einer Hand breit vor dir, und mein Leben ist wie nichts vor dir.
Behold, thou hast made my days as an handbreadth, and mine age is as nothing before thee.

Ach wie gar nichts sind alle Menschen, die doch so sicher leben. Sie gehen daher wie ein Schemen, und machen ihnen viel vergebliche Unruhe; sie sammeln und wissen nicht wer es kriegen wird.
Surely every man walketh in a vain show. Surely they are disquieted in vain; he heapeth up riches, and knoweth not who shall gather them.

Nun Herr, wess soll ich mich trösten? Ich hoffe auf dich.
And now, Lord, what wait I for? My hope is in thee.

Der Gerechten Seelen sind in Gottes Hand und keine Qual rühret sie an.
But the souls of the righteous are in the hand of God, and there shall no torment touch them.

IV. How lovely are thy dwelling places

Wie lieblich sind deine Wohnungen, Herr Zebaoth!
How lovely are thy dwelling places, O Lord of hosts!

Meine Seele verlanget und sehnet sich nach den Verhöfen des Herrn; mein Leib und Seele freuen sich in dem lebendigen Gott.
My soul longeth, yea, even fainteth for the courts of the Lord; my heart and my flesh crieth out for the living God.

Wohl denen, die in deinem Hause wohnen, die loben dich immerdar.
Blessed are they that dwell in thy house: they will be still praising thee.

V. Ye now therefore have sorrow

Ihr habt nun Traurigkeit; aber ich will euch wieder sehen und euer Herz soll sich freuen und eure Freude soll niemand von euch nehmen.
And ye now therefore have sorrow; but I will see you again, and your heart shall rejoice, and your joy no man taketh from you.

Sehet mich an: Ich habe eine kleine Zeit Mühe und Arbeit gehabt und habe grossen Trost funden.
Ye see how for a little while I labor and toil, yet have I found much rest.

Ich will euch trösten, wie Einen seine Mutter tröstet.
As one whom his mother comforteth, so will I comfort you.

VI. For here have we no continuing city

Denn wir haben hie keine bleibende Statt, sondern die zukünftige suchen wir.
For here we have no continuing city, but we seek one to come.

Siehe, ich sage euch ein Geheimnis; wir werden nicht alle entschlafen, wir werden aber alle verwandelt werden.
Behold, I show you a mystery; We shall not all sleep, but we shall all be changed.

Und dasselbige plötzlich, in einem Augenblick, zu der Zeit der letzten Posaune. Denn es wird die Posaune schallen, und die Toten werden auferstehen unverweslich, und wir werden verwandelt werden.
In a moment, in the twinkling of an eye, at the last trump. For the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.

Dann wird erfüllet werden das Wort, das geschrieben steht: Der Tod ist verschlungen in den Sieg.
Then shall be brought to pass the saying that is written: Death is swallowed up in victory.

Tod, wo ist dein Stachel? Hölle, wo ist dein Sieg?
O death, where is thy sting? O grave, where is thy victory?

Herr, du bist würdig zu nehmen Preis und Ehre und Kraft, denn du hast alle Dinge geschaffen, und durch deinen Willen haben sie das Wesen und sind geschaffen.
Thou art worthy, O Lord, to receive glory and honor and power: for thou has created all things, and for thy pleasure they are and were created.

VII. Blessed are the dead

Selig sind die Toten, die in dem Herrn sterben, von nun an. Ja der Geist spricht, dass sie ruhen von ihrer Arbeit; denn ihre Werke folgen ihnen nach.
Blessed are the dead which die in the Lord from henceforth. Yea, saith the Spirit, that they may rest from their labors; and their works do follow them.

Concert Partner

Hopewell House is our concert partner for Brahm’s Requiem because we share a belief that comfort, dignity, and care—especially at the end of life—are worthy of our deepest attention. Brahms’ Requiem is not a work about fear or judgment, but one of compassion for the living and solace for those who grieve. Hopewell House embodies these same values, providing equitable, compassionate end-of-life care for individuals and families, regardless of circumstance. Together, we affirm that this stage of life deserves tenderness, presence, and beauty.


Concert Sponsor

I am delighted to help sponsor ORS's presentation of the Brahms Requiem. I volunteer with ORS where I am a Board member, and at Hopewell House where I am the co-lead of the volunteer Garden Team. This concert showcases the powerful vocal artistry of ORS with a unique two-piano accompaniment in a musical work that has been described as "a radiant, joy-filled work about death." Hopewell House is a community resource that provides individuals with compassionate end-of-life care, and supports their families and friends through the process. Bringing these two organizations together to share their assets with the greater Portland community brings me great joy. I encourage anyone who has reached the age of 70 1/2 to consider a similar ORS sponsorship taking advantage of the QCD (qualified charitable donation) incentive for tax purposes.

Sherril Gelmon
ORS Board Member

The Oregon Repertory Singers adult choir involves over 110 singing members who are committed to presenting world-class music experiences accessible to all through programming of music from the newest generation of great composers alongside celebrated choral masterworks. ORS performs three major concerts each season. Dr. Morten Lauridsen, an internationally acclaimed composer, said, “This is the finest amateur large chorus I’ve heard anywhere in the world.” (2018)

ERAS featuring ORS Youth Choir
May 15 @ 7:30 PM | May 22 @ 7:00 PM

Third Angle New Music & ORS Youth Choir 8th – 12th Grade
World Forestry Center & PRAx in Corvallis

Thank You

The concerts in the 2025–2026 season are generously supported by:

Leadership Circle
Margo Bachhuber
Brigid Flanigan
Bruce Gulliver & Deb Habel
Jeri Haskins
Darlyn Jablonski
Duane & Barbara McDougall
Ed Reeves & Bill Fish
Patricia J Reser & Bill Westphal

Director’s Circle
Anonymous
Chris Bailey & Robert Lusk
Suzanne Barthelmess & Rex Sustello
Cliff Davidson & Andy Sfeir
Alison Ellsworth & Matthew Wood
David Frackelton
Joel Godbey & Kelly Morrow
Melissa & Michael Goodwin
Carla Kelley & Andy Asher
Nora McLaughlin
Ted Smart & Lee Anne Doolittle
Mark Solon & Don Tankersley
Lauren & Colin Storz
Howard Werth & Marion Levitan

Music Literature Supporters
Tracy & Mark Cahill
Melissa & Matthew Canaday
Emily Cohen
Dave Dworschak & Steve Harmon
Naja Di Pilla & Ben Emery
Scott Eckelman
Linda & Robert Galante
Sherril B Gelmon
Craig & Rusma Haskins
Jeff Jaeger
Kirk Masterson & Meghan Moran
David Muller
Ethan Sperry & Siri Hoogen
Doug Rank & Jen Gosnell
David Redmond & Sally Kuhl
Richard Rose
Jeffery Ring
Gary Ritter
Jan Schaeffer & Tuck Wilson
Keith & Kristin Simovic

Those listed above gave $2,500 or more during the 2024-2025 season (July 1, 2024 - June 30, 2025).

Thank You to Our Season Partners

Thank You

Production Credits
David Peterson, Production Manager
Josh Orchard (Media Campus), Archival Video
Amer Isse, Audio

Professional Contributions
Ed Reeves & Melissa Healy, Stoel Rives LLP
Richard Poppino, Photography
Lindsey Hiefield, Graphic Designer
Hoover Li, Graphic Designer
Kellie Thayer, Graphic Designer
Bonnie Maze, Print and Promotional Imaging
Elizabeth Buskirk, Professional Bookkeeping
Katie Searle-Williams, Grant Manager

Give Today

Your support empowers Oregon Repertory Singers to:

  • Nurture artistic excellence and growth in every singer

  • Open doors to youth music education through scholarships and accessible programs

  • Reimagine choral tradition with performances that are innovative, relevant, and accessible

  • Champion new music from diverse composers

  • Build multigenerational connections through shared song

  • Ensure a sustainable, vibrant future for choral music in our community

Your gift is a testament to your belief in Oregon Repertory Singers, your support of the arts, and your investment in the cultural vibrancy we share. 

Oregon Repertory Singers is a 501c3 non-profit organization.
Your contribution is tax-deductible to the fullest extent allowed by law. Tax ID 51-0185443.

Make your tax-deductible gift before June 30 to end our season strong!

By Mail

PO Box 820057
Portland, OR 97282

By Phone

503-230-0652
M-F, 9-5

Thank You to Our Generous Donors

*= Member of Oregon Repertory Singers
‡= GEM (Give Every Month) Supporter
†= Parent of ORS Youth Choir singer

We thank our many donors of amounts from $1 - $99 for your support. 
Donors acknowledged November 1, 2024 – October 31, 2025

Mountaintop musical experiences, meaningful music literacy, and lifelong connection. Each experience crafted to help singers…


Enrollment for 2026 Summer Sing Season is open!

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July 27 – 31 | 9 AM – 3 PM
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Summer Sing CENTRAL

August 3 – 7 | 9 AM – 3 PM
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Summer Sing INTENSIVE

August 3 – 7 | 12 PM – 3 PM
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