Saturday, April 25, 2025 | 4 PM
Sunday, April 26, 2025 | 4 PM
First United Methodist Church of Portland
1838 SW Jefferson St.
Portland, OR 97201
Web-Based Concert Program
Oregon Repertory Singers (ORS) is a premier nonprofit choral organization founded in 1974, with a mission to create beauty, evoke emotion, inspire thought, and enrich our community through powerful choral performances and accessible music education. ORS is uniquely distinguished in the region as the only choral nonprofit offering equally robust youth and adult programs. We celebrate intergenerational singing, champion lifelong music education, and uphold the unifying power of music. This distinctive structure provides unparalleled opportunities for singers of all ages and delivers compelling performances that affirm the arts as a vital and inclusive cultural force.
Welcome
We’re especially grateful to our concert sponsor, ORS Board Member Sherril Gelmon, for not only supporting the artistic vision of this concert but also introducing us to the Hopewell House, our concert partner for this performance. Their work providing compassionate end-of-life care resonates deeply with the spirit of this music, and we encourage you to learn more about all they do.
As this season draws to an end and we begin looking ahead to our 2026–2027 season, we hope you will consider making a season-ending, tax-deductible gift to support Oregon Repertory Singers, or perhaps you’d like to make a leadership gift and sponsor an upcoming concert. Your generosity helps make all of this possible, from the music on stage to the community we build together. Thank you for being part of this season with us.
Lauren Bryan
Executive Director
Welcome to the final concert of our 52nd season. It has been a remarkable journey shaped by bold artistic choices, meaningful community connections, and a shared belief in the power of music to move, heal, and unite us. In the fall, we undertook one of our most meaningful projects, Sing for the Cure, bringing together voices and stories in a powerful expression of hope and support. Tonight, we close with Brahms’ Ein deutsches Requiem for two pianos and timpani, an intimate and compelling instrumentation that reveals the different dimensions of this beloved work. It’s a fitting end to a season that’s embraced both big moments and quieter ones, all reflecting the range and artistry we strive for at Oregon Repertory Singers.
Program Notes
Johannes Brahms wrote Ein deutsches Requiem not as a prayer for the dead, but as a consolation for the living. Rather than setting the traditional Latin text of the Catholic Mass, he crafted his own libretto from the Lutheran Bible, opening with the words "Blessed are they that mourn, for they shall be comforted." It is one of the gifts of enduring art that its truths refuse to stay in the past: Music written to meet one moment of human suffering has an uncanny way of finding us in our own time of need. This is music that holds grief and joy in the same breath; I believe that is precisely what we need right now.
What makes this Requiem so extraordinary is how Brahms binds all seven movements into a single, unbroken emotional argument. Keys mirror each other across movements. Tempos and textures echo and answer. Nothing is accidental. The same hesitant, rising melodic gesture that opens the work permeates every major theme across all seven movements — growing, developing, transforming. When we finally hear its triumphant resolution on the words "Selig sind die Toten" — Blessed are the dead — we feel we have traveled somewhere, and arrived. What Brahms understood, and what this music teaches, is that mourning is not the opposite of joy: It is the path to reclaiming joy after loss.
Tonight, you’ll hear this masterwork in a rare and intimate arrangement. August Grüters, a conductor and contemporary of Brahms, created a version for two pianos that is not a mere reduction but a genuine reimagining — one that strips away the orchestral cushion and places the choir at the center of everything. Every vocal line is exposed, every harmony laid bare. It is, in some ways, the most visceral way to hear this music. And since we have a large body of 100 singers on stage, we have combined Grüter's version with an update by composer Heinrich Poos that includes the orchestral timpani part to underscore Brahms’s most dramatic moments.
This is our 52nd season finale, and I chose this piece deliberately. That Brahms's answer to grief still speaks so directly — more than 150 years after he wrote it — is a testament to what great art can do. That this choir is still here after 52 years, still gathering, still singing, still refusing to look away from the full weight of human experience — I think Brahms would understand that too. Together, with beauty, we endure.
Ethan Sperry
Gil Seeley Artistic Director & Conductor
Oregon Repertory Singers presents the
BRAHMS REQUIEM
for Two Pianos
Ethan Sperry, Gil Seeley Artistic Director & Conductor
Lisa Riffel, Assistant Conductor
Naomi LaViolette, Accompanist
David Peterson, Production Manager
with special guest artists
Arwen Myers, soprano
Richard Zeller, bass
Colin Shepard, piano
Jack Lattimore, timpani
This concert will be digitally recorded. Please no flash photography.
The concert will be approximately 75 minutes without intermission.
Program
Ein deutsches Requiem, Op. 45 (“A German Requiem”) | Johannes Brahms (1833–1897)
I. Selig sind die da Leid tragen ("Blessed are they that mourn")
II. Denn alles Fleisch es ist wie Gras ("For all flesh is as grass")
III. Herr, lehre doch mich ("Lord, make me to know mine end")
IV. Wie lieblich sind deine Wohnungen ("How lovely are thy dwelling places")
V. Ihr habt nun Traurigkeit ("Ye now therefore have sorrow")
VI. Denn wir haben hie keine bleibende Statt ("For here have we no continuing city")
VII. Selig sind die Toten ("Blessed are the dead")
Guest Artists
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Praised for her “crystalline tone and delicate passagework” (San Francisco Chronicle) and for the warmth and “deep poignancy” of her singing (Palm Beach Arts Paper), soprano Arwen Myers captivates audiences with radiant artistry and technical precision. A “rare vocalist who’s as comfortable performing early music as she is taking on contemporary works” (Stir Vancouver), she brings expressive range and stylistic fluency to repertoire from the Baroque to today.
Arwen’s solo appearances have spanned leading ensembles across North America, including Philharmonia and Portland Baroque Orchestras, Indianapolis Symphony Orchestra, Early Music Vancouver, Charlotte Bach Festival, Seraphic Fire, and Lorelei Ensemble, and she has collaborated with such distinguished conductors and leaders as Nicholas McGegan, Monica Huggett, David Hill, Alexander Weimann, Beth Willer, and Aisslinn Nosky.
The 2025–26 season marks the release of two landmark recordings: I Melt in the Sun of Your Beauty with Baroque Music Montana, recorded at the exclusive Tippet Rise Art Center, and Philip Glass’s 1000 Airplanes on the Roof with Third Angle New Music – the only complete recording of the work. She previously created the soprano role in the world premiere and recording of Zachary Wadsworth’s JUNO-nominated When There is Peace: An Armistice Oratorio with Chor Leoni, released in 2019.
Her recent performances have drawn consistent acclaim: “radiant voice and impeccable technique” (Oregon Arts Watch), “rare combination of refinement and beauty” (Vancouver Classical Music), and Bach “so joyful it made me want to dance” (WDAV Charlotte). Of her title role in Handel’s Semele, San Francisco Classical Voice noted, “Her musicality and demure demeanor remained a renewable pleasure.”
Based in Portland, Oregon, Arwen lives with her husband Brian and a very sassy tabby named Florentine. Learn more at arwenmyerssoprano.com.
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Richard Zeller is internationally acclaimed for his dramatic voice and consummate musicianship. He is celebrated for his concert and opera roles as both a baritone and bass baritone.
Mr. Zeller made his Metropolitan Opera debut in 1989 and has appeared there for 11 seasons; in the 2002/03 season Mr. Zeller appeared at the Met in lead roles in three new productions; as Ernesto in Bellini’s Il Pirata opposite Renée Fleming and Marcello Giordani; as the main lead role of Eddie in William Bolcom's opera, A View from the Bridge, based on Arthur Miller's play; and as Chorebe opposite Deborah Voigt and Ben Heppner in Berlioz's Les Troyens, conducted by James Levine. Over 11 seasons at the Met he performed or covered lead roles in more than 25 different operas. He has appeared with the Chicago Lyric Opera, New York City Opera, Berlin Staatsoper, Hamburgische Staatsoper, Deutsche Opera am Rhein, English National Opera at the Barbican in London, the Edinburgh Festival and Vienna Festival as well as many other opera houses on four different continents throughout the world.
Zeller has also appeared with many regional opera companies in the U.S. including the Chicago Lyric Opera, New York City Opera, Philadelphia, Minnesota, Cincinnati, San Diego, Portland, Spoleto USA, New Orleans, Dayton, Eugene, and New Jersey Opera companies.
Mr. Zeller was featured as soloist in 2001 in the Emmy nominated nationwide TV Broadcast of Live from Lincoln Center singing the Mozart Requiem with the Mostly Mozart Festival, conducted by Gerard Schwarz and presented by Beverly Sills.
On the concert stage, he has appeared with over 100 symphonies and orchestras in the US and abroad. Performances include Chicago Symphony, Cleveland Orchestra, Boston Symphony, Philadelphia Orchestra, Baltimore, Cincinnati, Dallas, Minnesota, and San Francisco Symphonies and many others. His performances at New York’s Carnegie Hall include Orff’s Carmina Burana, Handel’s Messiah, Verdi’s Requiem, Mozart’s Requiem, Bloch’s Sacred Service, Catalani’s La Wally, Faure’s Requiem, Hanson’s Merry Mount and many others.
As an active voice teacher, Mr. Zeller has been Associate Professor of Voice and Director of Opera at Biola University Conservatory of Music in La Mirada, California and is now teaching at Portland State University. He maintains a robust private teaching studio online and in his home city of Milwaukie, Oregon. You can learn more about Richard Zeller at his website at richardzeller.com.
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Naomi LaViolette (she/her) is a composer, collaborative pianist, singer-songwriter, and recording artist with a master’s degree in classical piano performance. Her work spans classical, jazz, folk, and popular genres. Since 2004, she has served as collaborative pianist for the Oregon Repertory Singers, and her performance career has included appearances at venues such as Carnegie Hall’s Weill Recital Hall, the Portland Jazz Festival, and live broadcasts on All Classical Portland’s Thursdays at 3.
A published composer with Graphite and Santa Barbara Music Publishing, Naomi is also a contributing composer for the Oregon Symphony Lullaby Project. Her compositions, praised by Fanfare Magazine for their “mastery of choral writing,” have been performed worldwide in a wide range of settings, from primary school choirs to professional choruses, as well as in sacred services and academic performances.
In 2018, her piece “Melancholy Flower” was featured on Shadows on the Stars, an album by the Oregon Repertory Singers that went on to win the American Prize. Other works, including “Night of Silence,” “Let All Mortal Flesh Keep Silence,” and “Winter Solstice,” were included on the Oregon Repertory Singers’ 2023 album 50. Naomi’s background in music theory, musical analysis, and composition, along with her extensive experience as a choral accompanist, chamber musician, and soloist since 2001, deeply informs her compositional voice.
She is regularly commissioned to write new choral works and arrangements, further expanding her contribution to the choral repertoire. Her music, whether written for choirs, chamber ensembles, soloists, or orchestras, is deeply rooted in themes of nature, spirituality, and human connection.
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Colin Alexsei Evans Shepard is the first staff collaborative pianist for the Portland State University internationally re-known choral studies program under Dr. Ethan Sperry and Professor Coty Raven-Morris. He is the pianist and organizer for the now nationally-acclaimed 'opera-oke and musical theater-oke' series at the live classical music bar - Mendelssohn's Bar PDX on North Mississippi Avenue in Portland. An ardent opera fan and voice coach, Colin has played piano in recital with MET Grammy-winner Audrey Luna with Portland Concert Opera, and played for masterclasses held by opera legends Lawrence Brownlee, Frederica von Stade, Angela Meade, and Vinson Cole.
He is the principal pianist for two GALA choirs in town: Portland Lesbian Choir, and the new 55+ elder lgbtq+ Portland Sage Singers.
Colin has been a guest soloist for Oregon Repertory Singers, Oregon Chorale, Resonance Ensemble, Portland Gay Men's Chorus, Low-bar chorale and has helped prepare vocalists and choirs with the maestros of Oregon Symphony.
On top of singing and playing piano, Colin is now the conductor of the full chorus and full orchestra Dalles Messiah every holiday season and has directed musical theater companies such as Triangle Productions, Broadway Rose, Lewis and Clark College, Reed College and more.
Colin's favorite "job" is getting to play for all his amazing opera and choir friends for fun and gathering community around beautiful music.
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Jack Lattimore is a performer, conductor, and versatile percussionist based in Portland, Oregon. He is in his last term at Portland State University studying music education, but he also has immersed himself in the study of percussion literature and the development of new works for percussion, film, and video games. He recently competed with Percussion Group Portland State at the prestigious Percussive Arts Society International Convention (PASIC) in Indianapolis, IN and placed in the top-15 colleges nationally. His performances have received critical acclaim and he has worked with many groups around the area including the Oregon Repertory Singers, the Oregon Chorale, the Portland Youth Philharmonic Cameratta, Third Angle New Music, the Portland State Chamber Choir and the Portland State Wind Ensemble. He frequently works with composers to develop new compositions for various mediums, including Andy Akiho, Matthew Lyon Hazzard, Eriks Esenvalds, Mark Evanstein, Viskamol Chaiwanichsiri, and Ian Sage. He is a student of Dr. Chris Whyte and Dr. Rose Martin.
Text & Translations
Brahms based his text on Martin Luther’s translation of the Bible.
This English translation is taken primarily from the King James Version of the Bible.
I. Blessed are they that mourn
Selig sind, die da Leid tragen, denn sie sollen getröstet werden.
Blessed are they that mourn, for they shall be comforted.
Die mit Tränen säen, werden mit Freuden ernten.
They that sow in tears shall reap in joy.
Sie gehen hin und weinen und tragen edlen Samen, und kommen mit Freuden und bringen ihre Garben.
He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him.
II. For all flesh is as grass
Denn alles Fleisch ist wie Gras und alle Herrlichkeit des Menschen wie des Grases Blumen. Das Gras ist verdorret und die Blume abgefallen.
For all flesh is as grass, and all the glory of man as the flower of grass. The grass withereth, and the flower thereof falleth away.
So seid nun geduldig, lieben Brüder, bis auf die Zukunft des Herrn. Siehe, ein Ackermann wartet auf die köstliche Frucht der Erde und ist geduldig darüber, bis er empfahe den Morgenregen und Abendregen.
Be patient therefore, brethren, unto the coming of the Lord. Behold, the husbandman waiteth for the precious fruit of the earth, and hath long patience for it, until he receive the early and latter rain.
Aber des Herrn Wort bleibet in Ewigkeit.
But the word of the Lord endureth forever.
Die Erlöseten des Herrn werden wieder kommen, und gen Zion kommen mit Jauchzen; ewige Freude wird über ihrem Haupte sein; Freude und Wonne werden sie ergreifen und Schmerz und Seufzen wird weg müssen.
And the ransomed of the Lord shall return, and come to Zion with songs and everlasting joy upon their heads; they shall obtain joy and gladness, and sorrow and sighing shall flee away.
III. Lord, make me to know mine end
Herr, lehre doch mich, dass ein Ende mit mir haben muss, und mein Leben ein Ziel hat, und ich davon muss.
Lord, make me to know mine end, and the measure of my days, what it is: that I may know how frail I am.
Siehe, meine Tage sind einer Hand breit vor dir, und mein Leben ist wie nichts vor dir.
Behold, thou hast made my days as an handbreadth, and mine age is as nothing before thee.
Ach wie gar nichts sind alle Menschen, die doch so sicher leben. Sie gehen daher wie ein Schemen, und machen ihnen viel vergebliche Unruhe; sie sammeln und wissen nicht wer es kriegen wird.
Surely every man walketh in a vain show. Surely they are disquieted in vain; he heapeth up riches, and knoweth not who shall gather them.
Nun Herr, wess soll ich mich trösten? Ich hoffe auf dich.
And now, Lord, what wait I for? My hope is in thee.
Der Gerechten Seelen sind in Gottes Hand und keine Qual rühret sie an.
But the souls of the righteous are in the hand of God, and there shall no torment touch them.
IV. How lovely are thy dwelling places
Wie lieblich sind deine Wohnungen, Herr Zebaoth!
How lovely are thy dwelling places, O Lord of hosts!
Meine Seele verlanget und sehnet sich nach den Verhöfen des Herrn; mein Leib und Seele freuen sich in dem lebendigen Gott.
My soul longeth, yea, even fainteth for the courts of the Lord; my heart and my flesh crieth out for the living God.
Wohl denen, die in deinem Hause wohnen, die loben dich immerdar.
Blessed are they that dwell in thy house: they will be still praising thee.
V. Ye now therefore have sorrow
Ihr habt nun Traurigkeit; aber ich will euch wieder sehen und euer Herz soll sich freuen und eure Freude soll niemand von euch nehmen.
And ye now therefore have sorrow; but I will see you again, and your heart shall rejoice, and your joy no man taketh from you.
Sehet mich an: Ich habe eine kleine Zeit Mühe und Arbeit gehabt und habe grossen Trost funden.
Ye see how for a little while I labor and toil, yet have I found much rest.
Ich will euch trösten, wie Einen seine Mutter tröstet.
As one whom his mother comforteth, so will I comfort you.
VI. For here have we no continuing city
Denn wir haben hie keine bleibende Statt, sondern die zukünftige suchen wir.
For here we have no continuing city, but we seek one to come.
Siehe, ich sage euch ein Geheimnis; wir werden nicht alle entschlafen, wir werden aber alle verwandelt werden.
Behold, I show you a mystery; We shall not all sleep, but we shall all be changed.
Und dasselbige plötzlich, in einem Augenblick, zu der Zeit der letzten Posaune. Denn es wird die Posaune schallen, und die Toten werden auferstehen unverweslich, und wir werden verwandelt werden.
In a moment, in the twinkling of an eye, at the last trump. For the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.
Dann wird erfüllet werden das Wort, das geschrieben steht: Der Tod ist verschlungen in den Sieg.
Then shall be brought to pass the saying that is written: Death is swallowed up in victory.
Tod, wo ist dein Stachel? Hölle, wo ist dein Sieg?
O death, where is thy sting? O grave, where is thy victory?
Herr, du bist würdig zu nehmen Preis und Ehre und Kraft, denn du hast alle Dinge geschaffen, und durch deinen Willen haben sie das Wesen und sind geschaffen.
Thou art worthy, O Lord, to receive glory and honor and power: for thou has created all things, and for thy pleasure they are and were created.
VII. Blessed are the dead
Selig sind die Toten, die in dem Herrn sterben, von nun an. Ja der Geist spricht, dass sie ruhen von ihrer Arbeit; denn ihre Werke folgen ihnen nach.
Blessed are the dead which die in the Lord from henceforth. Yea, saith the Spirit, that they may rest from their labors; and their works do follow them.
Concert Partner
Hopewell House is our concert partner for Brahm’s Requiem because we share a belief that comfort, dignity, and care—especially at the end of life—are worthy of our deepest attention. Brahms’ Requiem is not a work about fear or judgment, but one of compassion for the living and solace for those who grieve. Hopewell House embodies these same values, providing equitable, compassionate end-of-life care for individuals and families, regardless of circumstance. Together, we affirm that this stage of life deserves tenderness, presence, and beauty.
Concert Sponsor
I am delighted to help sponsor ORS's presentation of the Brahms Requiem. I volunteer with ORS where I am a Board member, and at Hopewell House where I am the co-lead of the volunteer Garden Team. This concert showcases the powerful vocal artistry of ORS with a unique two-piano accompaniment in a musical work that has been described as "a radiant, joy-filled work about death." Hopewell House is a community resource that provides individuals with compassionate end-of-life care, and supports their families and friends through the process. Bringing these two organizations together to share their assets with the greater Portland community brings me great joy. I encourage anyone who has reached the age of 70 1/2 to consider a similar ORS sponsorship taking advantage of the QCD (qualified charitable donation) incentive for tax purposes.
Sherril Gelmon
ORS Board Member
The Oregon Repertory Singers adult choir involves over 110 singing members who are committed to presenting world-class music experiences accessible to all through programming of music from the newest generation of great composers alongside celebrated choral masterworks. ORS performs three major concerts each season. Dr. Morten Lauridsen, an internationally acclaimed composer, said, “This is the finest amateur large chorus I’ve heard anywhere in the world.” (2018)
Thank You
The concerts in the 2025–2026 season are generously supported by:
Leadership Circle
Margo Bachhuber
Brigid Flanigan
Bruce Gulliver & Deb Habel
Jeri Haskins
Darlyn Jablonski
Duane & Barbara McDougall
Ed Reeves & Bill Fish
Patricia J Reser & Bill Westphal
Director’s Circle
Anonymous
Chris Bailey & Robert Lusk
Suzanne Barthelmess & Rex Sustello
Cliff Davidson & Andy Sfeir
Alison Ellsworth & Matthew Wood
David Frackelton
Joel Godbey & Kelly Morrow
Melissa & Michael Goodwin
Carla Kelley & Andy Asher
Nora McLaughlin
Ted Smart & Lee Anne Doolittle
Mark Solon & Don Tankersley
Lauren & Colin Storz
Howard Werth & Marion Levitan
Music Literature Supporters
Tracy & Mark Cahill
Melissa & Matthew Canaday
Emily Cohen
Dave Dworschak & Steve Harmon
Naja Di Pilla & Ben Emery
Scott Eckelman
Linda & Robert Galante
Sherril B Gelmon
Craig & Rusma Haskins
Jeff Jaeger
Kirk Masterson & Meghan Moran
David Muller
Ethan Sperry & Siri Hoogen
Doug Rank & Jen Gosnell
David Redmond & Sally Kuhl
Richard Rose
Jeffery Ring
Gary Ritter
Jan Schaeffer & Tuck Wilson
Keith & Kristin Simovic
Those listed above gave $2,500 or more during the 2024-2025 season (July 1, 2024 - June 30, 2025).
Thank You
Production Credits
David Peterson, Production Manager
Josh Orchard (Media Campus), Archival Video
Amer Isse, Audio
Professional Contributions
Ed Reeves & Melissa Healy, Stoel Rives LLP
Richard Poppino, Photography
Lindsey Hiefield, Graphic Designer
Hoover Li, Graphic Designer
Kellie Thayer, Graphic Designer
Bonnie Maze, Print and Promotional Imaging
Elizabeth Buskirk, Professional Bookkeeping
Katie Searle-Williams, Grant Manager
Give Today
Your support empowers Oregon Repertory Singers to:
Nurture artistic excellence and growth in every singer
Open doors to youth music education through scholarships and accessible programs
Reimagine choral tradition with performances that are innovative, relevant, and accessible
Champion new music from diverse composers
Build multigenerational connections through shared song
Ensure a sustainable, vibrant future for choral music in our community
Your gift is a testament to your belief in Oregon Repertory Singers, your support of the arts, and your investment in the cultural vibrancy we share.
Oregon Repertory Singers is a 501c3 non-profit organization.
Your contribution is tax-deductible to the fullest extent allowed by law. Tax ID 51-0185443.
Make your tax-deductible gift before June 30 to end our season strong!
By Mail
PO Box 820057
Portland, OR 97282
By Phone
503-230-0652
M-F, 9-5
Thank You to Our Generous Donors
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Margo Bachhuber
Paige Baker
Cliff Davidson* & Andy Sfeir‡
Brigid Flanigan & Jim Schmidt
Jeri Haskins*‡
Darlyn Jablonski*
Kuni Foundation
Duane & Barbara McDougall
Miller Foundation
Patricia J Reser & Bill Westphal
Howard Werth & Marion Levitan
Roy Wilkinson*‡
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Chris Bailey* & Robert Lusk‡
Suzanne Barthelmess* & Rex Sustello‡
Tracy & Dr Mark Cahill† - In honor of Julianna Cahill
Melissa* & Matthew Canaday
Alison Ellsworth* & Dr Matthew Wood†‡ - In honor of Sylvia Wood
David Frackelton*‡
Melissa & Michael Goodwin‡ - In honor of Naomi LaViolette
Carla Kelley* & Andy Asher‡
Nora McLaughlin*‡ - In honor of Jeri Haskins and Gil Seeley
Oregon Arts Commission
Doug Rank* & Jen Gosnell*†
Ed Reeves* & Bill Fish - Youth Choir Scholarship Fund
Reser Family Foundation
Reser's Fine Foods
Jan Schaeffer* & Tuck Wilson‡
Mark Solon* & Don Tankersley‡
Lauren* & Colin Storz
Wheeler Foundation
Whitener Family Foundation - In honor of Tom LaBarge
Charlene Zidell
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Sherril B Gelmon
Joel Godbey* & Kelly Morrow
Steve Harmon & Dave Dworschak
Craig & Rusma Haskins‡
The Jackson Foundation
Kirk Masterson* & Meghan Moran
Megan McNeal* & Kayci Emry‡
David Muller*‡
OHSU Knight Cancer Institute
JaneAnne Peterson* & David Olsen
Gary Ritter*
The Rose Family Trust‡
Keith & Kristin Simovic‡
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Jeff Allen & Martha Bennett‡
Anonymous
Rev. Brendan Barnicle
Anne Barragar‡ In honor of Gil Seeley
Heidi & Bryan Bell
Benevity - Employee Match
Debbie* & Thomas Benke‡
Lauren & Josh Bryan†‡ - In honor of Claire & Evan Bryan
Tina Bull & Richard Poppino
Linda* & Robert Galante
Michelle Giguere
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Rachel Hermansen* & Dennis Axmacher‡
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David Jones & Ann Walker
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Elise Schaff Laubach*
Cynthia & Allan Mair
Celia McDougal* & Joshua Kauffman*‡
Paul & Pam Monheimer - In honor of Naomi LaViolette
Margo Norton
Karyn O'Bryant
Oregon Cultural Trust
Irene & Shivanand Patil
Eva Patil* & Matt Noble‡
Lari & Bill Peterson
Ken Ray*‡
Bonnie Reagan - In memory of Kris Van Auken
David Redmond & Sally Kuhl
Jeffery Ring
Leslie Robinson - In honor of Ari Boal
Nicholas Running
Steven Smith & Dennis Johnson
South Park Unitarian Fellowship - In memory of Carl Clapp
Merri Souther Wyatt - In honor of Jan Schaeffer & Ethan Sperry
Ethan Sperry & Siri Hoogen
Steven Stapp
Gregg Macy & Eric Steinhauser
Alexander Ting - In honor of VJ Sathyaraj
Unitus Community Credit Union
Mark Van Patten
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Christina Aguirre
Dr. Shaghayegh Aliabadi
Laurel* & Kevin Barnum‡
Alex Berg* & Julianne Lawrence
Richard Bills & Jerry Ota‡
Michael Booker & Jeffrey Welty
Daniel Boyce* & Lilla Cabot
Melody & Tracy Boyce - In honor of Gil Seeley
Aliyih* & Robert Bristol
Cheryl Canning*‡ - In memory of Vera & Kirby Higdon
Paula Creamer*‡
John P. Dabritz‡
Jeannine Dahl Fogel*‡
David & Joni Edison‡ - In honor of Claire & Evan Bryan
Ken & Ann Edwards
Stuart Farmer*
Paul Anderson & Diana Fitzpatrick
Richard Frye* & Julianne Bowman
Roberta & Cary Gluesenkamp‡ - In memory of Dinah Dodds
Patricia & Paul Haddeland
Peter* & Donna Haub‡
John Herr*
Lorraine Herr‡
Fredericka* & Kim Hoeveler‡
Bruce Hostetler
Nichole Hubbard & Ida Jefsen Riser†
Linda & Richard Jenkins
Dr. Nathalie Johnson
Christopher Jones
Andrea* & Malcolm Kelly‡
Katherine Killops* & Charles Coughlin*
Nathan* & Hannah Klammer
Tom LaBarge*‡
Peter Landon
Dylan Moe* & Rachel Consenz*
Paul Neese
Leslie O'Leary
Cara Orscheln† - In honor of Neve Tsunehiro
Frances Page - In memory of Gordon Lindbloom
Dr. Kelly Perlewitz
Greg Prosser*
Susan & Richard Ray‡
Mary Riek
Lisa* & Andy Riffel*
David Riffle‡
Lydia Ross*‡
The Sandstead McGrath Family†
Asha & Vijendran* Sathyaraj
Chris Selid
Lisa & Lee Sickler‡
Ted Smart & Lee Anne Doolittle‡
Karen Spencer
Lewis Sprunger & Elaine Durst
Sasha Stanton, MD, PhD
Ellen Stauder - In honor of Nora McLaughlin
Susan & John Stringer
Drs Shelby & Zheng Topp
Jamie Troy* & Barry Pack
Rich* & April Vanderwal*†
Drs Alice Wang-Chesebro & Brian Chesebro
Mark Woodward* & Dr. Oscar Fernandez
Diane Yachmenoff
Kristina & Darren Young
Dr Norman Zucker - In honor of Gil Seeley
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Michelle* & Corey Averill
Andrea Bachhuber* & Rob Sokol
Declan* & Celia Bartel
Dennis Baumgardner* & John Baumgardner II
Matt & Shaina Boal†
Curtis Brooks*
Andrea Bruno
Kayla & Harvey Carruth
Thomas Chapman*
Emily Cohen
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Zachary George*
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Mercedes Hallman*
Ulrich Hardt & Karen Johnson - In honor of Gil Seeley
Dr. Greg Hartman & Susanne Domhan
Gareth Hauser*
Kaya Hellman*
Paul & Susan Hermansen‡
Mollie* & Brian Horne - In memory of Keith Skogsberg
Sarah Hotz* & Ethan Bliss
Bryan Huitt‡
Bobbi Inman
Jacklin & Girard Family Fund
Rick Jones*
Dale Justice‡
Marjorie & Stephen Kafoury
Joel Karn*
Edwin Kietzman
Bobbi Kizer*
Rachel Langford - In honor of Rowynn Junkert
Kate Ledington* & Keith O'Connor
Shayla LeMaster-Bailey*
Esther Lindbloom‡ - In memory of Gordon Lindbloom
James Maddry
Ryan Mayers*
Danielle McFadden* & Florian Deisenhofer
Joanna Meline*
Mark Mercier*
Joseph Mikkelson*
Paul Hamlow & Chris Moore‡
Richard Murphy*
Lynn Myhra
Fred Neal‡ - In memory of Mark Haack
Margaret Ngai†
MJ Oliver
Steven Oliver* & Joshua Lynch
Mary Palaniut
David Peterson* & Nik Murrow
Stacey Philipps* & Ben Hickman
Paul Plett*
Susan Prior
Thomas Proctor*
Juliana Quastler* & John McDonald - In honor of Carolyn Quastler
Melissa Reed* †
Cinda Reeves-Snyder
Vernon Reitz* & Gordon Victoroff
Mark Rozanski*
Fantasia Santa Cruz
Darcy* & Ian Schray
Katie Searle-Williams
Kinnari Shah*
Evan Shenk*
Tim Siess* & Kimberly Hadfield
Genevieve Stevens-Johnson & Matt Johnson - In honor of Sherril Gelmon
Judith Sugg & Anupam Narayan
Tom Swafford* & Scott Sarver
Terry Cross & Kristin Thaler
Bill Scott & Kate Thompson - In honor of Fredericka Hoeveler
Gale Townsley & Carol Talbeck
US Bank Employee Matching Gift
Harriet & Peter Watson
Joshua Weir*
Susan Wessinger
Elizabeth Willis‡ - In honor of Dick & Gail Harriss
Carol Witherell‡
Patrick Wood*
Beth Woods*
-
Sarah & John Allan‡
Gina & Jeff Allison
Mary Backus
The Bains Family†
Sarah Baker
Nellie Barnard
Kathleen Barnebey‡
Paul Bascom‡
Susan Bexton
Leah Brakebill
The Bristol Family
Elizabeth & Joe Buskirk
California Pizza Kitchen
Maurine & Paul Canarsky‡
Bobbie Casteel - In honor of Ireland Casteel
Alivia Cetas, MD
Jessica & Pierre-Alain Chevalier
Brooke Chilton Timmons
Veronica Collier
Richard Cook & Heidi Scott
Charlotte & Dave Corkran
Jill Cornejo† - In honor of Gracey Cornejo
Jean Crown
Dev Devarajan
Allison Dittmar
Lawrence Drury
Amy Eastman‡ - In memory of David Richen
Kathleen Fisher & Ann Dudley - In honor of Nora McLaughlin
Lawson Fite
Mary Franklin - In honor of Paula Creamer
Fred Meyer/Kroger
Terri & Howard Fuhrman‡ - In honor of Stuart Farmer
Richard Ganz‡ - In honor of Tom LaBarge
Joyce Gardner & James Steinberger‡
Katherine Goeddel - In honor of Jan Schaffer
Grant Goodman - In honor of Mathilda Goodman
Carrie Gotkowitz - In honor of The Storz Family
Margaret Gunn
Vickie Hanawalt - In honor of Nora McLaughlin
Tiffany* & Cole Haole-Valenzuela‡
David Hattner & Kristie Leiser - In memory of Judy Hummelt
Barbara Burnett & Jeffrey Jones*
Colleen Kelly
Michael Kitkoski
Kathryn Logan & Dale Hormann
Elisabeth & Peter Lyon
Hannah & Juan Maldonado†
Joan Cromwell & Marcin Manek† - In honor of Lidia and Lily Manek
Keith Masterson
Richard Meade
Paul Miller & Leonore Licht-Miller
Izarra Moore
Toni Mountain
Walter Moyers
Mary Nada
Thomas Newell
Julie & David Peyton‡
Aimee Pierce - In honor of Torrey DeVault
Barbara Rank‡
Kristine Reardon
Terence Rokop‡
Timothy Seelig & Bobby Jo Valentine
Lisa Snodderly† - In honor of Malcom Snodderly
Susan Stearns
Kellie & Mark Thayer
Alex Thomas
Kysa & Kevin Vassily‡ - In honor of Lydia Ross
Scott Weaver & Curvin Carbough
Elena Wiesenthal
Tonia Williamson
C P Wise‡
Kathleen Worley
Janice & David Yaden
*= Member of Oregon Repertory Singers
‡= GEM (Give Every Month) Supporter
†= Parent of ORS Youth Choir singer
We thank our many donors of amounts from $1 - $99 for your support.
Donors acknowledged November 1, 2024 – October 31, 2025
Mountaintop musical experiences, meaningful music literacy, and lifelong connection. Each experience crafted to help singers…
Enrollment for 2026 Summer Sing Season is open!
Summer Sing WEST
July 27 – 31 | 9 AM – 3 PM
Cedar Hills United Church of Christ
Summer Sing CENTRAL
August 3 – 7 | 9 AM – 3 PM
Moreland Presbyterian Church
Summer Sing INTENSIVE
August 3 – 7 | 12 PM – 3 PM
Moreland Presbyterian Church